The Wire · Press Room
Dispatches, exhibition announcements and specimen readings from Intelligence Matters across Stockholm and Los Angeles.
Each release is structured as a six-container sheet: three text plates followed by three portrait plates.
Calleoke – real-time SI coaching for sales calls – opens an unbranded brick-and-stainless dive bar next door to Negative Space on East 6th Street across a 304 stainless counter, four riveted aluminium shelves of raw-silver cans, the Museum of Cold Call and the Pissoar.
Negative Space opens Confession Turk – a digital confession booth and liturgical installation of synthetic gynoids, veiled automatons and weighted reliquaries staged inside a futuristic church.
The Autocollision exhibition (Wire 007) is recycled and currently showing in The Recycle Room inside Negative Space – pneumatic wall reliefs, cutaway crash cabins and woven forensic patches.
Negative Space introduces The Art Professor’s Lens across its collection – an on-screen reading apparatus organised into four tabs: Genesis, Synthesis, Critique and Receipts.
A dedicated room inside Negative Space houses the nine-year archive of Brashy Studios (2011–2020), the women’s streetwear label founded by Jacob and Axel Hägg.
Negative Space opens its first thematic wing, Recent Archaeology (IM–RA–007 to IM–RA–023), placing five consumer artefacts from c. 1997–2007 under museum vitrines.
An uncommissioned six-room wing inside Negative Space translating the open-weight releases, technical reports and Hermes model lineage of Nous Research into exhibition space.
Negative Space opens in public beta. A walkable 3D browser gallery by Jacob Hägg where studio plates, sculptural props and spatial physics share a single floor plan.